Tampilkan postingan dengan label television. Tampilkan semua postingan
Tampilkan postingan dengan label television. Tampilkan semua postingan

Jumat, 06 April 2012

Aaron Sorkin's new HBO show - The Newsroom

By Richard K. Barry

Aaron Sorkin
Aaron Sorkin is at it again, this time with a new show on HBO called "The Newsroom." Huffington Post describes it like this:
"The Newsroom" follows fictional cable news anchor Will McAvoy (Daniels) as he attempts to keep an even temper during his nightly programs. But when asked for a "human moment" in the trailer, he says, "When you ask what makes us the greatest country in the world, I don't know what the fuck you're talking about!"

Jeff Daniels stars as news anchor Will McAvoy. The show also features Emily Mortimer as the executive producer, John Gallagher Jr., Allison Pill, Thomas Sadoski, Olivia Munn and Dev Patel; with Jane Fonda in a recurring guest spot.

"The Newsroom" premiers on Sunday, June 24 on HBO. Here's the trailer. Looks pretty good. At least with Sorokin, we know the writing will be great.



(Cross-posted at Lippmann's Ghost.)

Kamis, 05 April 2012

Joe Scarborough knows a lot of pessimistic Republicans

By Richard K. Barry

I watch Morning Joe every day. It's a part of my daily ritual. I generally only have time to sit through about 45 minutes before I have to head off to work. I must say, I have mixed feelings about Joe Scarborough, the main host of the show. I think we're all supposed to be impressed that MSNBC, the "liberal" network, has this right-winger carrying so much water for the station. Take that, "fair and balanced" Fox!

Every now and then, I'll admit, Joe can be pretty entertaining, especially when he takes on Republicans for being flat out crazy or when he articulates views that might be self-evident but which would likely not be uttered by most conservatives.

Such was the case when Joe offered that "no one" in the GOP establishment believes Mitt Romney will beat Barack Obama in the general election.

Just in case you can't open the attached clip, this was his comment:

Nobody thinks Romney's going to win. Let's just be honest. Can we just say this for everybody at home? Let me just say this for everybody at home. The Republican establishment--I've yet to meet a single person in the Republican establishment that thinks Mitt Romney is going to win the general election this year. They won't say it on TV because they've got to go on TV and they don't want people writing them nasty emails. I obviously don't care. But I have yet to meet anybody in the Republican establishment that worked for George W. Bush, that works in the Republican congress, that worked for Ronald Reagan that thinks Mitt Romney is going to win the general election.


It's hard to argue with someone's claim that they have yet to speak to a single person with a particular characteristic who believes something to be true or not true. In Joe's case, he's either making it up, hasn't talked to a lot of Republicans about the matter, or the GOP leadership honestly believes it is truly screwed. Maybe he's just exaggerating to make a point. It's got to be one of those.

Don't me wrong. I think the way things look now Obama is going to win. It's just that so much can happen between now and November that I'm having a hard time believing the Republican establishment is quite that pessimistic.

I suppose it makes for good television.

Apparently, Mark Halperin, a semi-regular on the show, said that Romney "might" win and that he didn't totally agree with Scarborough's take.

That makes for somewhat less good television, but it's a more credible assessment. Let's not get too cocky here.





(Cross-posted at Lippmann's Ghost.)

Rabu, 28 Maret 2012

The Dark Shadows of my youth


Tim Burton is remaking the cult-classic TV soap opera Dark Shadows, which ran from 1966 to 1971. While I recognize that the original is best known by many for charming screws-ups in the production of the show, I remember it as just another program we watched after school and seemed to enjoy a great deal.

Still, it is true, as The Hollywood Reporter writes, that:

[O]ne of the most charming things about the daytime drama was the plethora of bloopers – wrong props, bats flitting about on visible wires, falling scenery, muffed dialogue, the crew seen walking through shots, the cast trying in vain to ignore them -- in every episode.

Ah, yes, the bats flitting around on visible wires. I do remember that and it was pretty funny, but mostly, as an eight to thirteen year old I didn't particularly see it as camp, though apparently I should have.

Again, The Hollywood Reporter:

The original Dark Shadows dialogue was very stilted and the show took itself very seriously. Still, due to the recurring onset mishaps, it was hilarious (in that so bad it's good way) and highly addictive.

As I look back now at the Dark Shadows clip I retrieved from Youtube, I think of a Frasier episode in which Frasier and his brother Niles lion an actor who had been on television in their youth only to realize when they see him perform years later that he was always just a bad actor. Maybe the old Dark Shadows is a little bit like that, kind of awful but really cool when you were a kid.

Dark Shadows was a gothic soap opera that originally aired weekdays on ABC, from June 27, 1966 to April 2, 1971. As the Wikipedia entry indicates:

The series became hugely popular when vampire Barnabas Collins (Jonathan Frid) appeared a year into its run. Dark Shadows also featured werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles (as actors came and went, some characters were played by more than one actor).

I don't even really remember what it was all about, only that it was creepy in that way that younger people have always tended to like. 

The remake will feature Johnny Depp, Michelle Pfeiffer, and Helena Bonham Carter, and will be, according to reports, "flat out funny, over-the-top and very vampire tongue-in-cheek."

That's fine. I'm sure it will be good fun, though very different than the original.

This clip below features Barnabas, the aforementioned vampire, and a character named Burke. I have no idea what's going on in the scene, but it's fairly painful to watch in a wonderful sort of way. It does bring back memories.

As an added bonus, and because I was so proud of myself for remembering it, I've posted "Quentin's Theme," a spoken-word instrumental track from the show that peaked at number 13 on the Billboard Hot 100 in 1969. Yes, it did. 



(Cross-posted at Lippmann's Ghost.)

Rabu, 14 Maret 2012

The political nature of television

By Carl 

On the face of it, this seems like a particularly silly story, unless you're the parent or friend of one of the dead girls: 

Time travel TV series have come under fire since two schoolgirls in East China's Fujian province killed themselves on Thursday after leaving notes saying the suicides could help them travel back to ancient times.

The two girls, Xiao Mei and Xiao Hua (not their real names), were fifth-grade classmates at a primary school in Zhangpu county, Zhangzhou.

On Thursday afternoon, Xiao Hua realized she lost the remote control for a rolling door at her house. She was worried and told her friend Xiao Mei.

At 4 pm, the girls each wrote suicide notes and hid them in a closet at Xiao Hua's home. Then they jumped into a pool and drowned themselves. 

Here's the tell that there's something not right with this story:

According to a media report in February, a 19-year-old Liaoning province woman, Xiao Dan (not her real name), told police she had paid 1,800 yuan ($285) to a Net friend who claimed she could help her travel to the ancient past but disappeared after receiving the money.

Because of several stories along these lines emerging, the State Administration of Radio, Film and Television banned prime time -- 7 to 9 pm -- broadcasts of this kind of TV series at the beginning of this year.

Shades of Tipper Gore and the PMRC!

Let me point out that the link goes to the People's Daily, the official house organ of the Chinese Communist party (and, therefore, the government). 

Cui bono? Who benefits if this kind of programming is banned in China?

Obviously, the government, if only under the guise of preventing teen suicides, which seems an unlikely connection. However, the story itself contains a clue to the real political agenda. Think about where and more important, when the girls wanted to travel to.

The claim is they wanted to travel back to Imperial China, an ancient time of fantasy and glamour, opulence and a clearly rewritten history of wealth and freedom.

Now, these are clearly not poor children, since their parents could afford a house with an electronic door opener. This is not a sign of poverty, of a kid who is desperately trying to escape the crushing burden of being poor with little opportunity to advance her lot.

Or maybe it was. Maybe it's a signal to us that the Chinese economic tiger has fewer teeth than we realize. China will be the largest economy in the world before the end of the century, if not this decade. It's growing at a rate that exceeds an American boom economy, but it has two advantages that America never had, and thus may not see a true bust for decades.

It has a population not very far removed from the government-sponsored slavery of the mid-20th Century and it has such a vast population with so many dialects that communication between regions is difficult.

Think about it: imagine the U.S. (similar size and contours) with four times the population, and instead of regional accents, imagine entirely different forms of English such that many words have different meanings in the South and North, East and West. If I said "mother" in Florida in this scenario, for example, I may understand it as the woman who gave birth to me, but Floridians might take it to mean any woman involved in my upbringing, including sisters, aunts, grandmothers, and perhaps even teachers and nannies.

Those problems will sort themselves out in due time, to be sure, but here's the thing. With a population still working for bottom-dollar wages, the Chinese economy benefits from keeping its people segregated and not sharing information and being unable to communicate as easily as any other nation on the planet can.

As in America, there are income and wealth strata in China (until the 1990s, nearly unheard of) and as in America, the gaps are growing.

And as in America, there is undoubtedly a movement growing in China for income equalization.

Imagine that! A socialist nation with income inequality!

Television, however, is a great leveller. Like it or not, information and education is passed over the airwaves. That means people without a fact gain a fact.

For China to succeed economically, it simply must control this information. It must control the thought processes in the heads of Chinese. It must discourage thinking of a better life in leaps and bounds and force people to be content with a carefully planned balance between incrementally advancing their opportunities while staying in thrall to the economy.

In other words, the Chinese government is acting the part in China that banks act here. Sure, you can have that second car, but it will cost you four years of emotional investment in paying your loan back and woe betide he who misses a payment! And your kids can have a better life if they get an education (we're still talking about America here, to be clear) but they'll owe us for the following 25 years and they won't be able to discharge this debt even if they can't earn enough in salary to pay us back.

All while putting commercials on the ubiquitous infotainment medium, television, advertising that better job for your kids or better sex through Audi.

Control the dialogue, control the people.

This wasn't about a suicide. This was about recognizing that suicide as a danger to the status quo, one that would make people think about their lives and their children's lives.

(Cross-posted to Simply Left Behind.)

Selasa, 13 Maret 2012

Not for nothin', but...


If you go online and look for a definition of the term "not for nothin'," you'll come up with a pretty broad range of opinions. About the only agreement, I think, is that it's generally thought to originate in the Northeastern United States or perhaps more specifically New York City and is working class slang.

In general terms, it's a phrase that introduces a comment or observations of one sort or another.
As for what people think it means, here are just a few examples, some of which are related, mostly, but maybe a little different from each other:

  • "Not for nothin'" is used to soften the blow of something that would normally be offensive or come on too strong.
  • Common big house or camp preface to a piece of advice or a warning. Its use is supposed to imply the speaker is neither bossing around nor threatening the hearer, only offering sage advice or a pithy observation. In practice, however, it is often used immediately before a verbal threat to another inmate. 
  • Phrase meaning "what I'm about to say is important." That is "I'm not saying this for my health..."
  • Used as an introductory phrase to indicate that the principle phrase which follows is intended neither to be commanding nor officious, but simply as friendly advice or constructive observation.
  • Colloquial, inverted way of saying, "for good reason," to emphasize a point. "Not for nothing is Paris called the City of Lights." Used extensively in English literature, including C.S. Lewis, Samuel Butler, and Jack London.
  • This is an old Italian expression "non per niente" and its true meaning is: not that I have anything to gain by it – but it is what he said or meant or did... and so on. Basically, I am relating this, believed to be true... believe what you will... relating without responsibility.

The only thing I know about the phrase is that Silvio Dante, a character in The Sopranos, played by Steve Van Zandt, sometimes uses it to preface advice he wants to give to his mob boss, Tony Soprano, played by James Gandolfini.

In those contexts, here is what I think "not for nothin'" means:


What I'm about to say might be true. It might not be true. But if it is true, it could be important, so you might want to think about your options. But I'm not just saying it to hear the sound of my own voice (hence the "not for nothing," i.e., not for no reason at all). But if what I'm about to say offends you, remember that I'm just passing on what might be useful information, so don't shoot the messenger (literally).

So, I'm not saying this is the only context in which the phrase can be used, only that this is the sense in which I think it's used in The Sopranos, and it would seem to be pretty close to the last definition given above rendered in Italian as "non per niente."
Other opinions?

(Cross-posted at Lippmann's Ghost.)

Jumat, 27 Januari 2012

This day in music - January 27, 1970: The Partridge Family's "I Think I Love You" hits #1


The Partridge Family
When I decided to have some fun with this feature, I told myself I wouldn't impose my own opinions about what was good music and what was "less good." For all sorts of reasons, different artists and songs mean things to other people beyond the understanding of some of the rest of us. Clearly the fact that The Partridge Family had a #1 hit with "I Think I Love You" means that a lot of people went out and bought the record. I can respect that.

The Partridge Family was a television sitcom that aired between 1970 and 1974 on ABC and has lived on in syndication for a long time after that. The basic idea for the show was that a widowed mother and her five children would embark on a music career. This allowed for normal family-type hijinx, with a couple of pretty teenagers (David Cassidy and Susan Dey) in the cast to occupy the hormones of any peers who might be watching.

And then there was the obligatory song in each episode always somehow woven into the plot. As for the music, only David Cassidy, who sang lead, and Shirley Jones (the mother), who sang backup, were featured on the recordings.

One of the more obscure pieces of information about the song "I Think I Love You" is that it made The Partridge Family the third fictional group to have a #1 hit (after The Chipmunks and The Archies). To give the man his due, "I Think I Love You" was written by veteran American songwriter Tony Romeo, who also wrote for a lot of other people.

I remember watching The Partridge Family as a kid. It seemed to pass the time as well as anything else. I doubt the show ever did anyone any real harm, and as pop music goes, it wasn't the worst.


(Cross-posted at Lippmann's Ghost.)

Kamis, 08 Desember 2011

The good boss: Harry Morgan, Col. Sherman Potter of M*A*S*H, dies at 96


Harry Morgan died Wednesday morning. He was 96 years old. Many would remember him as Colonel Potter from the long-running television series M*A*S*H.  Of course, there were many other roles for Morgan, including Officer Bill Gannon, partner to Sgt. Joe Friday, on the updated Dragnet series that aired from 1967 to 1970.

And then, as the obit in The New York Times put it:

In more than 100 movies, Mr. Morgan played Western bad guys, characters names Rocky and Shorty, loyal sidekicks, judges, sheriffs, soldiers, thugs and police chiefs. 

But to a generation or two, starting in 1975 and running to 1983, and then in reruns forever after, he was Colonel Sherman Potter, commander of the 4077 Mobile Army Surgical Hospital unit in Korea.

It's a very corny thing, I know, but there are certain television shows that feel like they are a part of our lives. Watching Bonanza on Sunday nights at my grandparent's house in the 60s when I almost inevitably fell asleep lying on the floor in front of the television; the entire family gathering together to watch All in the Family in the early '70s; and M*A*S*H seemed to be around for all sorts of life's changes.

Given that it premiered on September 17, 1972 and ended on February 28, 1983, it was there from the beginning of my high school years to my mid-20s -- a fairly good stretch of time.

As circumstances would have it, though, the most significant experience watching the show that I recall is gathering with half my college dorm every day at 4:00 p.m. to catch reruns in the late '70s. That this stands out as a significant memory from my undergraduate days might make you think I wasted some time at Oswego State University, and you wouldn't be wrong, but there it is.

After a while shows like this are comfort food, you watch them because they are familiar and we gravitate towards the familiar. Colonel Potter was always a cool character, though. Serious, because somebody had to make sure the important things got done. But he wasn't an asshole. Maybe we hoped that, in our final days of university, before having to get a job, it was possible we might have a boss who was serious enough to make sure things got done but who could also be cool about it.

That was Colonel Sherman Potter.

I suppose a lot of people will post the clip from the final episode of M*A*S*H in which the Colonel rides his horse off into the sunset. And so will I. 



(Cross-posted at Lippmann's Ghost.)