Tampilkan postingan dengan label civil rights. Tampilkan semua postingan
Tampilkan postingan dengan label civil rights. Tampilkan semua postingan

Kamis, 29 Maret 2012

The Trayvon Martin murder: When being black is all it is


I don't think there is anyone who hasn't been affected in some way by Florida teenager Trayvon Martin's death in February at the hands of a neighborhood watchman who thought he saw a threat in the tall black teenager wearing a dark hooded jacket. The story is almost too terrible for words. 

I am white and my children are white. At the same time that I'm grieving with Trayvon's family, trying yet again to come to terms with the needless death of an innocent child, I recognize that I can't possibly grasp what it must feel like to know their precious son would likely still be alive if only he hadn't been black.

It wasn't the hoodie he was wearing that made him a target. Kids all across the country wear hoodies every day. It was the darkness of the skin underneath that hood that provided the catalyst for the kind of tragedy that is becoming as commonplace as it is unbearable.

We're in a place where the issue of racism opens up old wounds, forcing us to once again pull it out and examine it. I would say racism is back, but we all know it never really went away. We see it in the open hatred toward our first black president; in the collateral hatred toward his wife and daughters; in a generalized hatred toward people whose only difference is in the color of their skin.

I was a young mother during the last civil rights movement. It was impossible to explain the inexplicable to my children --t hat in our own country, this country that boasts about fairness and equality in story and song -- there are white people who hate black people so much they want to do them harm.

But the conversations I had with my kids couldn't even come close to the painful necessity every black parent had -- and still has -- in explaining the same thing to their black children. How can it be explained? It made no sense then and it makes no sense now.

I look at Sybrina Fulton's face as she weeps over this latest insult to her dead son -- the gleeful egging on of a story about his suspension from high school over an empty marijuana bag in his backpack; I hear the anguished rage in Tracy Martin's voice as he defends the reputation of his murdered son; and I am back to a time more than a half-century ago, when defenseless black citizens were humiliated and hurt and killed for no other reason than the color of their skin.

September, 1955. Murdered teenager Emmet Till's mother weeps at his open casket. Emmet Till was 14 years old when he was kidnapped, tortured, and murdered by white men for the crime of whistling at a white woman. His face was battered beyond recognition, but Mamie Till-Mobley wanted the world to see what pure hatred could do to another human being -- and to society as a whole. "Civil rights activists used the murder of Emmett Till as a rallying cry for civil rights protest, transforming a heinous crime into a springboard for justice. The Montgomery Bus Boycott followed closely on the heels of the case. Indeed, Rosa Parks is quoted as saying, 'I thought about Emmett Till, and I could not go back. My legs and feet were not hurting, that is a stereotype. I paid the same fare as others, and I felt violated.'"

We are heading toward a new era of ignorance and poverty, and those two ingredients become, historically, irrationally, the fuel for a dangerous firestorm. It's not a leap to suggest that the vital issue of civil rights needs to be addressed and overhauled before violence becomes the norm again.

The stink of prejudice is everywhere. Hispanics feel it, Muslims feel it, LGBTs feel it, anyone who is "different" feels it. We can't let hatred win. We owe some measure of attention to the memories of Trayvon and all other human beings who are punished, often to the point of losing their lives, for no other crime than being who they are.

Sabtu, 07 Januari 2012

This day in music - January 7, 1955: Marian Anderson becomes the first black singer to perform at the Met


While I will claim a decent working knowledge of a number of musical genres, Opera is not one them. I have been to a couple of performances. I am always in awe of the talent on display. It's probably a class thing. I didn't grow up with it, and can't relate to it, though at some level I still grasp the beauty of it.

Marian Anderson (1987-1993) was an African-American contralto and one of the most important singers of the twentieth century.

She was also a significant figure in the civil rights movement, having once famously performed at an open-air concert on Easter Sunday, April 9, 1939 on the steps of the Lincoln Memorial after having been refused permission by the Daughters of the American Revolution to sing to an integrated audience at Constitution Hall.

Later, on January 7, 1955, she became the first black person to perform at The Metropolitan Opera in New York City. For the opera buffs among us, she performed as Ulrica in Giuseppe Verdi's Un ballo in maschera (The Masked Ball). In one reference, it was stated that she was "the first black singer as a regular company member." Perhaps someone could explain the difference.

Anderson was an important presence throughout the civil rights movement, having, for example, sung at the March on Washington for Jobs and Freedom in 1963, which also featured Martin Luther King's "I Have a Dream" speech.

Among honours awarded were the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.

Below is a clip of the aforementioned performance at the foot of the Lincoln Memorial in 1939. Still powerful.


(Cross-posted at Lippmann's Ghost.)